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In the pile

from Tormaentosa by AFAN Alessandro Fantini

/

lyrics

Amid the muddle of multitude
Not all our thoughts were made of mud
Spikes of fury came out of incertitude.
Cradled by waves of grins and shouts
We kept veering on the edges of the cledge.
Drawn by the windy rage of guts
Along the bowels we were e-choes
Of ranting diverticula stuck in the breaking points.

Piled one on each other
We’ve been told to smile and wait
Those carrying flamethrowers
Were going to burn the excess meat
To unveil the bony white
That makes us equal,
All shiny joints of the one and only
Juggernaut
He who’ll leave the stake and march
In spite of the curfew.

He who’ll leave the stake and march
In spite of the curfew.

Pierced by glows of furious squares
Night skies turn into stock market screens.
Green arrows fliyng up
Spurts of droplets exchange
Red arrows pointing down
Fingernails of merciless emperors:
Beneath the ground
Ghost homeland yells
No shelters for the surviving joints.
Without muscles and skin
No one alone can leave
The deadly arenas.
Eventually Equality
Was the heaviest wing.
We climbed and ramped
Though there wasn’t height just width.
As the juggernaut fled the blocks
Blindfolded and trembling
We saw the empty marrow
At the bottom of the stack.
Then the corpse of a Brainchild surfaced
From the embers of wet pyre.
Those were real remains
Someone could bury and mourn.
Spineless and unvoiced
We won’t leave words to write
On batteries of nameless graves.

Those were real remains
Someone could bury and mourn.

We won’t leave words to write
On batteries of naked graves.

credits

from Tormaentosa, released November 8, 2020
Composed, performed, recorded, mixed and produced by AFAN Alessandro Fantini

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about

AFAN Alessandro Fantini Italy

Devoted to the "multimedianic" quest for the over-human identity hidden in the infinite stream of illusions surrounding humankind, Alessandro Fantini's musical journey can be hardly described with the terms of a conventional sound experience. His approach to instruments and electronic devices is intuitive and irrational as well as the visions he captures on canvas and on digital video. ... more

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